'The Interview': Tina Brown on Epstein, the Über-Rich and Her Most Burning Resentments

Summary of 'The Interview': Tina Brown on Epstein, the Über-Rich and Her Most Burning Resentments

by The New York Times

48mNovember 15, 2025

Overview of "The Interview" — Tina Brown on Epstein, the Über‑Rich and Her Most Burning Resentments

This New York Times Interview episode (hosted by Lulu Garcia‑Navarro) features two conversations with Tina Brown — veteran magazine editor, founder of The Daily Beast, and current Substack writer of Fresh Hell. Brown reflects on her magazine years (Vanity Fair, The New Yorker, Talk), the decline and nostalgia for the old media gatekeeper era, her firsthand encounters with Jeffrey Epstein’s social circle and Ghislaine Maxwell, the royal family (especially Prince Andrew, William, Harry and Meghan), the corrosive influence of tech billionaires on journalism, and personal perspectives shaped by her late husband Harry Evans and her adult son Georgie. The interview was recorded across two conversations that bracketed new developments in the Prince Andrew story and additional Epstein revelations.

Key topics discussed

  • Tina Brown’s writing voice and Substack
    • Fresh Hell gives her editorial freedom; she enjoys writing without institutional restraints and uses sharp, often acid, nicknames for public figures.
  • Nostalgia for the 1980s–90s magazine era
    • Brown argues that gatekeepers were also tastemakers and curation is missing in today’s fragmented media landscape.
    • She contrasts the creative freedom and intellectual debate of past magazine newsrooms with contemporary pressures (platform metrics, funding, sponsor constraints).
  • Jeffrey Epstein and Ghislaine Maxwell
    • Brown recounts knowing Maxwell socially and being unaware at the time of the depth of her role with Epstein.
    • She describes Maxwell as complicit and, according to survivors’ accounts, an active participant in abuse — calling Epstein and Maxwell “twin halves of the same evil.”
    • Recounts a chilling in‑office visit from Epstein while she was at The Daily Beast; earlier Beast reporting highlighted Epstein’s sweetheart deal.
  • The British royal family
    • Brown views peripheral royals as liabilities: influence without independent wealth makes them vulnerable to pay‑for‑play arrangements.
    • Reactions to Prince Andrew: Charles’ later stripping of titles was necessary but belated; completely cutting Andrew loose risks him becoming a “loose cannon.”
    • On Harry and Meghan: Brown is critical of many of their professional decisions and suggests Harry is more naturally suited to royal public duties.
    • Believes William will be determined to “clean house” when king — more transparency and financial accountability are needed.
  • Media ownership, money and power
    • Strong critique of tech billionaires and ultra‑wealthy owners who buy media without understanding or respecting journalism.
    • Expresses resentment toward the “über‑rich” who treat journalism as a commodity; cites Jeff Bezos and David Ellison as emblematic of tech/wealth influence over outlets.
  • Politics, Trump and media manipulation
    • Trump learned from Roy Cohn’s approach: never apologize, always deflect; his mastery is producing constant distractions in a fragmented attention economy.
    • Some scandals land better when the public can easily understand the wrongdoing (e.g., Epstein/pedophilia versus abstruse issues such as crypto).
  • Local political shifts and pushback on elite power
    • Praises Zoran Mamdani’s New York mayoral win as proof that money doesn’t buy everything and as a sign people can push back against plutocratic influence.
  • Personal context and losses
    • Talks about her late husband Harry Evans’ moral steadfastness and influence on her journalism ethic.
    • Discusses parenting an adult son with developmental disability (Georgie); how it shaped her view of social services and inequality.

Main takeaways

  • Curation and editorial gatekeepers played a constructive cultural role — their decline left readers overwhelmed and made discovery of high‑quality journalism harder.
  • Wealthy owners and tech barons often lack respect for journalistic values and can commodify or distort outlets they acquire.
  • The Epstein scandal revealed social complicity beyond a single “procureur”: Maxwell’s role was intimate and active in abuse, and society’s earlier indifference helped enable him.
  • The monarchy’s vulnerabilities are structural: peripheral royals without independent means are predisposed to risk and scandal; reform and transparency are needed under William’s eventual reign.
  • Populist or insurgent political wins (e.g., Mamdani) show that concentrated money and power can be challenged; momentum matters.
  • Personal experience (family caregiving, partnership with a principled journalist) deepened Brown’s commitment to investigative journalism and social advocacy.

Notable quotes and lines

  • On her Substack voice: “I can just sort of let rip.”
  • On gatekeepers: “The gatekeepers were also the tastemakers.”
  • On Maxwell and Epstein: “Twin halves of the same evil.”
  • On journalistic ownership: “I wish that they would learn something about journalism before they leap in and think that they can just simply buy journalism.”
  • On Mamdani’s win: “Money doesn't just buy everything.”
  • Recounting a S.I. Newhouse rebuke: “Stick to your knitting, Tina — you're an editor.” (She uses it to illustrate patronizing constraints.)
  • On Trump’s media strategy: “As a great producer… every two or three weeks he has to produce another distraction.”

Recommended follow‑ups / action items (from interview themes)

  • Read Tina Brown’s Substack Fresh Hell for her ongoing commentary.
  • For deeper context: Tina Brown’s books (The Vanity Fair Diaries, The Palace Papers) and recent investigative reporting on Epstein (e.g., Julie K. Brown’s Miami Herald series; survivor memoirs).
  • Support investigative journalism and fellowships (Brown references a fellowship named for Harry Evans).
  • For media consumers: prioritize trusted curators and newsletters to avoid the noise and to discover high‑quality longform work.
  • For aspiring journalists: consider nontraditional markets and international opportunities for robust journalistic experience (Brown mentions India as an example of lively literary culture).

Context & production notes

  • Host: Lulu Garcia‑Navarro (The Interview, The New York Times).
  • The conversation spans two sittings — some remarks were recorded before the news that King Charles stripped Prince Andrew of certain titles and before some later congressional releases related to Epstein.
  • Production credits noted in the episode include producers, editors and music credits; the episode is part of The New York Times’ Interview podcast series.